About 'how to become a bookkeeper'|How To Trade Using Fibonacci Retracement and Extension Levels( Interview)

About 'how to become a bookkeeper'|How To Trade Using Fibonacci Retracement and Extension Levels( Interview)

Ａｌｌ               ｔｈｅ               Ｐｒｅｓｉｄｅｎｔ'ｓ               Ｍｅｎ               ｉｎ               ｂｏｔｈ               ｉｔｓ               ｂｏｏｋ               ａｎｄ               ｍｏｖｉｅ               ｆｏｒｍ               ｔａｃｋｌｅｓ               ａｎ               ａｍｂｉｔｉｏｕｓ               ｓｕｂｊｅｃｔ:               ｔｈｅ               ｂｒｉｎｇｉｎｇ               ｄｏｗｎ               ｏｆ               ａ               ｗｏｒｌｄ               ｌｅａｄｅｒ               ｂｙ               ａ               ｆｒｅｅ               ｐｒｅｓｓ. Ａｎｄ               ｙｅｔ               ｉｎ               ｂｏｔｈ               ｍｅｄｉａ               ｔｈｅ               ｓｔｏｒｙｔｅｌｌｉｎｇ               ｉｓ               ｍｏｖｉｅ               ｃｏｎｃｅｒｎｅｄ               ｗｉｔｈ               ｎｕａｎｃｅ               ａｎｄ               ｍｉｎｕｔｅ               ｄｅｔａｉｌｓ. Ｉｎ               ｓｈｏｗｉｎｇ               ｈｏｗ               ｃｏｎｄｕｃｔｉｎｇ               ｓｕｃｈ               ａ               ｍａｓｓｉｖｅ               ａｃｃｏｍｐｌｉｓｈ               ａｓ               ｈｏｌｄｉｎｇ               ａ               Ｐｒｅｓｉｄｅｎｔ               ａｃｃｏｕｎｔａｂｌｅ               ｔｏ               ｔｈｅ               ｓａｍｅ               ｌａｗｓ               ｏｆ               ｔｈｅ               ｌａｎｄ               ｔｈａｔ               ｅｖｅｒｙｏｎｅ               ｅｌｓｅ               ｍｕｓｔ               ｆｏｌｌｏｗ,               ｔｈｅ               ｆｉｌｍ               ｄｅｐｉｃｔｓ               ａ               ｓｔｏｒｙ               ｏｆ               Ａｍｅｒｉｃａｎ               ｊｏｕｒｎａｌｉｓｍ               ｔｈａｔ               ａｐｐｅａｒｓ               ｔｏ               ｂｅ               ｌｉｔｔｌｅ               ｍｏｒｅ               ｔｈａｎ               ｈｉｓｔｏｒｙ. Ｗｈｉｌｅ               ｔｏｄａｙ'ｓ               ｒｅｐｏｒｔｅｒｓ               ｓｅｅｍ               ｍｏｒｅ               ｉｎｔｅｒｅｓｔｅｄ               ｉｎ               ｌａｎｄｉｎｇ               ｆａｃｅ               ｔｏ               ｆａｃｅ               ｉｎｔｅｒｖｉｅｗｓ               ｗｉｔｈ               ｃｅｌｅｂｒｉｔｉｅｓ,               ｏｎｅ               ｃａｎ'ｔ               ｈｅｌｐ               ｂｕｔ               ｗｏｎｄｅｒ               ｉｆ               ｔｈｅ               ｃｕｒｒｅｎｔ               Ｐｒｅｓｉｄｅｎｔ               ｗｏｕｌｄ               ｓｔｉｌｌ               ｂｅ               ｉｎ               ｐｏｗｅｒ               ｉｆ               ｔｏｄａｙ'ｓ               ｒｅｐｏｒｔｅｒｓ               ｅｎｇａｇｅｄ               ｉｎ               ｔｈｅ               ｔｅｄｉｏｕｓ               ａｎｄ               ｍｏｎｏｔｏｎｏｕｓ               ｐｈｏｎｅ               ｗｏｒｋ               ｔｈａｔ               ｍａｋｅｓ               ｕｐ               ｗｈａｔ               ｂｙ               ａｌｌ               ａｃｃｏｕｎｔｓ               ｓｈｏｕｌｄ               ｂｅ               ａ               ｔｅｄｉｏｕｓ               ａｎｄ               ｍｏｎｏｔｏｎｏｕｓ               ｓｃｅｎｅ,               ｂｕｔ               ｗｈｉｃｈ               ｓｏｍｅｈｏｗ               ｂｅｃｏｍｅｓ               ｏｎｅ               ｏｆ               ｔｈｅ               ｍｏｓｔ               ｍｅｍｏｒａｂｌｅ               ｉｎ               ｔｈｅ               ｍｏｖｉｅ. Ｒａｔｈｅｒ               ｔｈａｎ               ｇｌｏｒｉｆｙｉｎｇ               ｔｈｅ               ｒｅｐｏｒｔｅｒｓ               ｂｙ               ｍａｋｉｎｇ               ｔｈｅｍ               ｓｕｐｅｒｈｅｒｏｅｓ,               ｔｈｅ               ｍｏｖｉｅ               ａｃｃｕｒａｔｅｌｙ               ｒｅｖｅａｌｓ               ｔｈｅ               ｐｒｏｃｅｓｓ               ｂｙ               ｗｈｉｃｈ               ｉｎｖｅｓｔｉｇａｔｉｖｅ               ｊｏｕｒｎａｌｉｓｍ               ｉｓ               ｃｏｎｄｕｃｔｅｄ. Ｏｎｅ               ｅｘｔｅｎｄｅｄ               ｓｅｑｕｅｎｃｅ               ｉｎｖｏｌｖｅｓ               ｎｏｔｈｉｎｇ               ｍｏｒｅ               ｔｈａｎ               Ｂｏｂ               Ｗｏｏｄｗａｒｄ               ｍａｋｉｎｇ               ｐｈｏｎｅ               ｃａｌｌｓ,               ｂｅｉｎｇ               ｈｕｎｇ               ｕｐ               ｏｎ,               ｂｅｉｎｇ               ｐｕｔ               ｏｎ               ｈｏｌｄ,               ａｎｄ               ｄｏｏｄｌｉｎｇ               ｉｎ               ｈｉｓ               ｎｏｔｅｂｏｏｋ. Ｗｈｅｔｈｅｒ               ｂｙ               ａｃｃｉｄｅｎｔ               ｏｒ               ｄｅｓｉｇｎ,               ｔｈｅｒｅ               ｉｓ               ａ               ｓｍａｌｌ               ｍｏｍｅｎｔ               ｃｏｎｔａｉｎｅｄ               ｗｉｔｈｉｎ               ｔｈｉｓ               ｓｅｑｕｅｎｃｅ               ｔｈａｔ               ｐｏｉｎｔｓ               ｏｕｔ               ｔｈｅ               ｃａｐａｃｉｔｙ               ｏｆ               ｐａｔｉｅｎｃｅ               ｔｈａｔ               Ｗｏｏｄｗａｒｄ               ａｎｄ               Ｂｅｒｎｓｔｅｉｎ               ａｎｄ               ａｌｌ               ｉｎｖｅｓｔｉｇａｔｉｖｅ               ｒｅｐｏｒｔｅｒｓ               ｍｕｓｔ               ｈａｖｅ. Ｗｈｉｌｅ               ｏｎ               ｔｈｅ               ｐｈｏｎｅ               Ｗｏｏｄｗａｒｄ               ｍｉｓｔａｋｅｎｌｙ               ｒｅｆｅｒｓ               ｔｏ               ｓｏｍｅｏｎｅ               ｂｙ               ａｎｏｔｈｅｒ,               ｔｈｅｎ               ｃａｔｃｈｅｓ               ｈｉｍｓｅｌｆ. Ｉｔ               ｉｓ               ｅｉｔｈｅｒ               ａｎ               ｅｘａｍｐｌｅ               ｏｆ               ａ               ｇｏｏｆ               ｔｈａｔ               ｗｏｒｋｓ               ｏｒ               ｅｘｃｅｌｌｅｎｔ               ａｃｔｉｎｇ;               ｒｅｇａｒｄｌｅｓｓ,               ｉｔ               ｐｏｉｎｔｓ               ｔｏ               ｔｈｅ               ｍａｄｄｅｎｉｎｇ               ｒｅｐｅｔｉｔｉｏｎ               ａｎｄ               ｃｏｎｆｕｓｉｏｎ               ｉｎｈｅｒｅｎｔ               ｉｎ               ｔｒｙｉｎｇ               ｔｏ               ｗａｄｅ               ｔｈｒｏｕｇｈ               ｔｈｅ               ｍｏｕｎｔａｉｎｓ               ｏｆ               ｉｎｆｏｒｍａｔｉｏｎ               ｔｈａｔ               ｔｈｅｓｅ               ｔｗｏ               ｒｅｐｏｒｔｅｒｓ               ｗｅｒｅ               ｆｏｒｃｅｄ               ｔｏ               ｄｅａｌ               ｗｉｔｈ               ｉｎ               ａｔｔｅｍｐｔｉｎｇ               ｔｏ               ｐｉｅｃｅ               ｔｏｇｅｔｈｅｒ               ｔｈｅｉｒ               ｓｔｏｒｙ. Ｒｅａｄｅｒｓ               ｏｆ               ｔｈｅ               ｂｏｏｋ               ｍａｙ               ｂｅ               ｓｈｏｃｋｅｄ               ｔｏ               ｌｅａｒｎ               ｔｈａｔ               ｔｈｅ               ｆｉｌｍ               ｃｏｍｅｓ               ｔｏ               ａ               ｒａｔｈｅｒ               ｂｒｕｓｑｕｅ               ｅｎｄ               ａｔ               ａｂｏｕｔ               ｔｈｅ               ｍｉｄｗａｙ               ｐｏｉｎｔ               ｏｆ               ｔｈｅ               ｂｏｏｋ. Ｔｈｉｓ               ｄｅｃｉｓｉｏｎ               ｗａｓ               ｏｂｖｉｏｕｓｌｙ               ｍａｄｅ               ｆｏｒ               ｔｗｏ               ｒｅａｓｏｎｓ,               ａｎｄ               ｉｔ               ｄｏｅｓ               ｎｏｔｈｉｎｇ               ｔｏ               ｌｅｓｓｅｎ               ｔｈｅ               ｉｎｔｅｎｓｉｔｙ               ｏｆ               ｔｈｅ               ｓｔｏｒｙ. Ｗｈｅｎ               ｏｎｅ               ｔｈｉｎｋｓ               ｏｆ               ｔｈｅ               ｇｒｅａｔｅｓｔ               ｔｒａｎｓｌａｔｉｏｎｓ               ｏｆ               ａ               ｂｏｏｋ               ｔｏ               ｆｉｌｍ,               ｔｗｏ               ｖｅｒｙ               ｏｆｔｅｎ               ｓｐｒｉｎｇ               ｉｍｍｅｄｉａｔｅｌｙ               ｔｏ               ｍｉｎｄ. Ｉｔ               ｉｓ               ｎｏｔ               ｓｕｒｐｒｉｓｉｎｇ,               ｔｈｅｒｅｆｏｒｅ,               ｔｈａｔ               ｉｎ               ｈｉｓ               ｇｌｏｗｉｎｇ               ｒｅｖｉｅｗ               ｏｆ               ｔｈｉｓ               ｆｉｌｍ               ｔｈｅ               ｒｅｎｏｗｎｅｄ               ｃｒｉｔｉｃ               Ｖｉｎｃｅｎｔ               Ｃａｎｂｙ               ｒｅｆｅｒｒｅｄ               ｔｏ               ｂｏｔｈ               ｗｈｅｎ               ｃａｌｌｅｄ               Ａｌｌ               ｔｈｅ               Ｐｒｅｓｉｄｅｎｔ'ｓ               Ｍｅｎ               "ａｎ               ｕｎｅｑｕｉｖｏｃａｌ               ｓｍａｓｈ-ｈｉｔ-ｔｈｅ               ｔｈｉｎｋｉｎｇ               ｍａｎ'ｓ               Ｊａｗｓ". Ｊｕｓｔ               ａｓ               ｔｈｅ               ｂｌｏｃｋｂｕｓｔｅｒ               ａｂｏｕｔ               ｔｈｅ               ｓｈａｒｋ               ｓｕｃｃｅｅｄｅｄ               ｐｒｅｃｉｓｅｌｙ               ｂｅｃａｕｓｅ               ｉｔ               ｊｅｔｔｉｓｏｎｅｄ               ａｌｌ               ｂｕｔ               ｔｈｅ               ｓｐｉｎｅ               ｏｆ               ｔｈｅ               ｓｔｏｒｙ               ｏｎ               ｗｈｉｃｈ               ｉｔ               ｗａｓ               ｂａｓｅｄ,               ｓｏ               ｄｏｅｓ               ｔｈｉｓ               ｒｅａｌ-ｌｉｆｅ               ｓｕｓｐｅｎｓｅ               ｔｈｒｉｌｌｅｒ               ｂｅｎｅｆｉｔ               ｆｒｏｍ               ｎａｒｒｏｗｉｎｇ               ｉｔｓ               ｆｏｃｕｓ.                Ｔｈｅ               ｔｗｏ               ｒｅａｓｏｎｓ               ｔｈａｔ               ｔｈｅ               ｆｉｌｍ               ｓｔｏｐｓ               ａｔ               ｔｈｅ               ｍｉｄｗａｙ               ｐｏｉｎｔ               ｏｆ               ｔｈｅ               ｂｏｏｋ               ａｒｅ               ｔｈａｔ               ｔｉｍｅ               ｃｏｎｓｔｒａｉｎｔｓ               ｓｉｍｐｌｙ               ｗｏｕｌｄ               ｎｏｔ               ｈａｖｅ               ａｌｌｏｗｅｄ               ｔｈｅ               ｅｎｔｉｒｅ               ｂｏｏｋ               ｔｏ               ｂｅ               ｆｉｌｍｅｄ               ａｎｄ,               ｍｏｒｅ               ｉｍｐｏｒｔａｎｔｌｙ,               ｂｅｃａｕｓｅ               ａｌｔｈｏｕｇｈ               ｔｈｅ               ｆｉｌｍ               ｉｓ               ｄｉｒｅｃｔｅｄ               ｉｎ               ｔｈｅ               ｓｔｙｌｅ               ｏｆ               ａ               ｍｙｓｔｅｒｙ,               ｔｈｅ               ｅｎｄｉｎｇ               ｉｓ               ａｌｒｅａｄｙ               ｋｎｏｗｎ               ｂｙ               ｍｏｓｔ               ｆｉｌｍｇｏｅｒｓ. Ａｓ               ａ               ｒｅｓｕｌｔ,               ｍｏｓｔ               ｏｆ               ｔｈｅ               ｂｕｌｋ               ｏｆ               ｔｈｅ               ｓｅｃｏｎｄ               ｈａｌｆ               ｏｆ               ｔｈｅ               ｂｏｏｋ               ｗｈｉｃｈ               ｄｅｔａｉｌｓ               ｔｈｅ               ｄｏｗｎｆａｌｌ               ｏｆ               ｔｈｅ               Ｐｒｅｓｉｄｅｎｔ'ｓ               ｍｅｎ               ｗｏｕｌｄ               ｂｅ               ｖｉｅｗｅｄ               ａｓ               ｌｉｔｔｌｅ               ｍｏｒｅ               ｔｈａｎ               ａｎ               ａｎｔｉｃｌｉｍａｘ               ｉｆ               ｐｕｔ               ｏｎ               ｆｉｌｍ. Ｔｈｅ               ｆｉｌｍｍａｋｅｒｓ               ｍａｄｅ               ｔｈｅ               ｂｒｉｌｌｉａｎｔ               ｄｅｃｉｓｉｏｎ               ｔｏ               ｎｏｔ               ｏｎｌｙ               ｅｎｄ               ｔｈｅｉｒ               ｓｔｏｒｙ               ｂｅｆｏｒｅ               ｉｔ               ｄｅｖｏｌｖｅｄ               ｉｎｔｏ               ａ               ｎｕｍｂｉｎｇ               ｌｅｓｓｏｎ               ｏｎ               ｗｈａｔ               ａｔ               ｔｈｅ               ｔｉｍｅ               ｗａｓ               ｖｅｒｙ               ｒｅｃｅｎｔ               ｈｉｓｔｏｒｙ,               ｂｕｔ               ｔｈｅｙ               ａｌｓｏ               ｃｈｏｓｅ               ｔｏ               ｅｎｄ               ｔｈｅ               ｆｉｌｍ               ｏｎ               ａ               ｄｏｗｎｂｅａｔ               ｎｏｔｅ               ｆｏｒ               ｔｈｅ               ｒｅｐｏｒｔｅｒｓ.                Ｔｈｅ               ｃｅｎｔｒａｌ               ｓｅｔｔｉｎｇ               ｏｆ               ｔｈｅ               ｓｔｏｒｙ               ｉｓ               ｔｈｅ               ｏｆｆｉｃｅｓ               ｏｆ               ｔｈｅ               Ｗａｓｈｉｎｇｔｏｎ               Ｐｏｓｔ;               ｔｈｅｒｅ               ａｒｅ               ｏｎｌｙ               ｂｒｉｅｆ               ａｎｄ               ｃｕｒｓｏｒｙ               ｖｉｓｉｔｓ               ｔｏ               ｔｈｅ               ｈｏｍｅ               ｌｉｆｅ               ｏｆ               ｔｈｅｓｅ               ｒｅｐｏｒｔｅｒｓ. Ｔｈａｔ               ｉｓ               ｅｓｓｅｎｔｉａｌ               ｔｏｗａｒｄ               ｓｈｏｗｉｎｇ               ｔｈａｔ               ｔｈｅ               ｓｔｏｒｙ               ｉｓ               ｂｉｇｇｅｒ               ｔｈａｎ               ｔｈｅｙ               ａｒｅ. Ｅｖｅｎ               ｔｈｏｕｇｈ               ｔｈｅｙ               ｇｒｏｗ               ｔｈｒｏｕｇｈｏｕｔ               ｔｈｅ               ｆｉｌｍ               ｉｎ               ｓｔａｔｕｒｅ,               ｔｈｅｙ               ａｒｅ               ｃｏｎｓｔａｎｔｌｙ               ｄｗａｒｆｅｄ               ｂｙ               ｔｈｅｉｒ               ｓｕｒｒｏｕｎｄｉｎｇｓ,               ｆｒｏｍ               ｔｈｅ               ｈｕｇｅ               ｓｅｔ               ｏｆ               ｔｈｅ               Ｐｏｓｔ               ｏｆｆｉｃｅｓ               ｔｏ               ｔｈｅ               ｍｏｎｕｍｅｎｔｓ               ａｎｄ               ｌａｎｄｍａｒｋｓ               ｉｎ               Ｗａｓｈｉｎｇｔｏｎ. Ｔｈｉｓ               ｅｆｆｅｃｔ               ｏｆ               ｓｈｏｗｉｎｇ               ｔｈａｔ               ｔｈｅｓｅ               ｔｗｏ               ｒｅａｌｌｙ               ｗｅｒｅ               ｖｅｒｙ               ｌｉｔｔｌｅ               ｍｅｎ               ａｔｔｅｍｐｔｉｎｇ               ｔｏ               ｂｒｅａｋ               ｔｈｒｏｕｇｈ               ｔｈｅ               ｗａｌｌｓ               ｏｆ               ａ               ｍａｓｓｉｖｅ               ｓｙｓｔｅｍ               ａｇａｉｎｓｔ               ｗｈｉｃｈ               ｆｅｗ               ｗｏｕｌｄ               ｈａｖｅ               ｔｈｏｕｇｈｔ               ｔｈｅｙ               ｃｏｕｌｄ               ｗｉｎ               ｉｓ               ｍｏｓｔ               ｅｆｆｅｃｔｉｖｅｌｙ               ｐｏｒｔｒａｙｅｄ               ｉｎ               ｔｈｅ               ｍｅｍｏｒａｂｌｅ               ｓｈｏｔ               ｉｎ               ｔｈｅ               Ｌｉｂｒａｒｙ               ｏｆ               Ｃｏｎｇｒｅｓｓ. Ｔｈｅ               ｓｃｅｎｅ               ｂｅｇｉｎｓ               ａｔ               ｔｈｅ               ｌｅｖｅｌ               ｏｆ               ｔｈｅ               ｃｈａｒａｃｔｅｒｓ               ａｓ               ｔｈｅｙ               ｂｅｇｉｎ               ｆｌｉｐｐｉｎｇ               ｔｈｒｏｕｇｈ               ｂｏｏｋ               ｂｏｒｒｏｗｉｎｇ               ｃａｒｄｓ. Ｔｈｅ               ｃａｍｅｒａ               ｔｈｅｎ               ｓｌｏｗｌｙ               ａｓｃｅｎｄｓ               ｕｐｗａｒｄ               ａｎｄ               ｔｈｅ               ｔｗｏ               ｒｅｐｏｒｔｅｒｓ               ａｌｍｏｓｔ               ｇｅｔ               ｌｏｓｔ               ａｓ               ｔｈｅｙ               ｂｅｃｏｍｅ               ａｓ               ｓｍａｌｌ               ａｓ               ａｎｔｓ               ｉｎ               ｔｈｅ               ｍａｓｓｉｖｅ               ｍａｚｅ               ｏｆ               ｃｏｒｒｉｄｏｒｓ               ａｎｄ               ｔａｂｌｅｓ               ｏｆ               ｔｈｅ               Ｌｉｂｒａｒｙ               ｏｆ               Ｃｏｎｇｒｅｓｓ               ａｓ               ｓｅｅｎ               ｆｒｏｍ               ｉｔｓ               ｃｅｉｌｉｎｇ. Ｔｈｅ               ｓｈｏｔ               ｉｓ               ａ               ｍｅｔａｐｈｏｒ               ｆｏｒ               ｔｈｅ               ｐｒｏｃｅｓｓ               ｏｆ               ｂｏｔｈ               ｉｎｖｅｓｔｉｇａｔｉｖｅ               ｊｏｕｒｎａｌｉｓｍ               ｉｎ               ｇｅｎｅｒａｌ,               ａｎｄ               ｔｈｅ               ｉｎｖｅｓｔｉｇａｔｉｏｎ               ｔｈｅ               ｍｏｓｔ               ｐｏｗｅｒｆｕｌ               ｍａｎ               ｉｎ               ｔｈｅ               ｃｏｕｎｔｒｙ               ｉｎ               ｐａｒｔｉｃｕｌａｒ.                Ｅｑｕａｌｌｙ               ｅｆｆｅｃｔｉｖｅ               ｉｓ               ｔｈｅ               ｓｔｙｌｅ               ｏｆ               ｅｄｉｔｉｎｇ               ｔｈａｔ               ｃｏｎｔｒｉｂｕｔｅｓ               ｔｏ               ａｎ               ｏｖｅｒｐｏｗｅｒｉｎｇ               ｓｅｎｓｅ               ｏｆ               ｉｓｏｌａｔｉｏｎ               ｆｒｏｍ               ｐｏｗｅｒ. Ｔｈｅ               ｖｅｒｙ               ｉｄｅａ               ｏｆ               ｃｏｎｔｅｍｐｏｒａｒｙ               ｅｄｉｔｉｎｇ               ｅｆｆｅｃｔｓ               ｗｉｔｈ               ｓｈｏｔｓ               ｌａｓｔｉｎｇ               ｏｎｌｙ               ａ               ｆｅｗ               ｓｅｃｏｎｄｓ               ｗｏｕｌｄ               ｂｅ               ｃｏｕｎｔｅｒｐｒｏｄｕｃｔｉｖｅ. Ｔｈｅ               ｆｉｌｍ               ｉｓ               ｐｒｉｍａｒｉｌｙ               ａ               ｃｏｌｌｅｃｔｉｏｎ               ｏｆ               ｌｏｎｇ               ｓｈｏｔｓ               ａｎｄ               ｅｘｔｅｎｄｅｄ               ｓｃｅｎｅｓ               ｏｆ               ｄｉａｌｏｇｕｅ               ｐｕｎｃｔｕａｔｅｄ               ｂｙ               ａｐｐｒｏｐｒｉａｔｅ               ｍｏｍｅｎｔｓ               ｏｆ               ｓｉｌｅｎｃｅ. Ｗｈａｔ               ｔｈｉｓ               ｍｅｔｈｏｄ               ａｃｃｏｍｐｌｉｓｈｅｓ               ｉｓ               ｃｒｅａｔｉｎｇ               ａ               ｓｅｎｓｅ               ｏｆ               ｄｒｅａｄ               ａｎｄ               ｆｅａｒ. Ｐａｒａｎｏｉａ               ｒｕｎｓ               ｔｈｒｏｕｇｈｏｕｔ               ｔｈｅ               ｆｉｌｍ,               ｅｓｐｅｃｉａｌｌｙ               ｉｎ               ｔｈｅ               ｓｃｅｎｅｓ               ｉｎｖｏｌｖｉｎｇ               Ｄｅｅｐ               Ｔｈｒｏａｔ. Ｄｅｅｐ               Ｔｈｒｏａｔ               ｉｎ               ｔｈｅ               ｂｏｏｋ               ｗａｓ,               ａｓ               ｈｅ               ｈａｄ               ｔｏ               ｂｅ,               ｍｅｒｅｌｙ               ａ               ｃｉｐｈｅｒ;               ｈｅ               ｈａｄ               ｎｏ               ｒｅａｌ               ｐｅｒｓｏｎａｌｉｔｙ,               ｅｘｉｓｔｉｎｇ               ｍｏｒｅ               ａｓ               ａ               ｔａｌｋｉｎｇ               ｈｅａｄ. Ｈａｌ               Ｈｏｌｂｒｏｏｋ               ｉｎｆｕｓｅｓ               ｔｈｅ               ｃｈａｒａｃｔｅｒ               ｏｆ               Ｄｅｅｐ               Ｔｈｒｏａｔ               ｗｉｔｈ               ａ               ｓｎｉｄｅ               ａｎｄ               ｅｖｅｎ               ｄｅｒｉｓｉｖｅ               ｑｕａｌｉｔｙ               ｔｈａｔ               ｐｕｍｐｓ               ｅｌｅｃｔｒｉｃｉｔｙ               ａｎｄ               ｈｕｍａｎｉｔｙ               ｉｎｔｏ               ｓｃｅｎｅｓ               ｔｈａｔ               ｒａｎ               ｔｈｅ               ｒｉｓｋ               ｏｆ               ｆａｌｌｉｎｇ               ｆｌａｔ. Ｓｉｎｃｅ               Ｄｅｅｐ               Ｔｈｒｏａｔ'ｓ               ｒｅａｌ               ｉｄｅｎｔｉｔｙ               ｗａｓ               ａ               ｍｙｓｔｅｒｙ               ｗｈｅｎ               ｔｈｅ               ｆｉｌｍ               ｗａｓ               ｍａｄｅ,               ｔｈｅ               ｃｈａｒａｃｔｅｒ               ｃｏｕｌｄ               ｈａｖｅ               ｓｕｆｆｅｒｅｄ               ｂｙ               ｂｅｉｎｇ               ｃｈａｒａｃｔｅｒｉｚｅｄ               ｔｏｏ               ｇｅｎｅｒｉｃａｌｌｙ. Ｐａｒａｄｏｘｉｃａｌｌｙ,               Ｄｅｅｐ               Ｔｈｒｏａｔ               ｃｏｍｅｓ               ｏｆｆ               ａｓ               ｏｎｅ               ｏｆ               ｔｈｅ               ｍｏｓｔ               ｈｕｍａｎ               ｏｆ               ａｌｌ               ｔｈｅ               ｃｈａｒａｃｔｅｒｓ               ａｎｄ               ｔｈｉｓ               ｉｓ               ｐａｒｔｌｙ               ｄｕｅ               ｔｏ               ｔｈｅ               ｓｈａｄｏｗｙ               ａｔｍｏｓｐｈｅｒｅ               ｉｎ               ｗｈｉｃｈ               ｈｅ               ｉｓ               ｆｉｌｍｅｄ. Ｅｖｅｎ               ａ               ｓｃｅｎｅ               ａｓ               ｓｉｍｐｌｅ               ａｔ               ｔｈｅ               ｒｅｐｏｒｔｅｒｓ               ｐｕｌｌｉｎｇ               ｏｕｔ               ａ               ｐａｒｋｉｎｇ               ｌｏｔ               ｏｎ               ｔｈｅ               ｒｏｏｆ               ａｎｄ               ｄｉｓａｐｐｅａｒｉｎｇ               ｉｎｔｏ               ｔｈｅ               ｖａｓｔ               ｅｘｐａｎｓｅ               ｏｆ               Ｗａｓｈｉｎｇｔｏｎ,               ＤＣ               ｉｓ               ｉｍｂｕｅｄ               ｗｉｔｈ               ｈｉｄｄｅｎ               ｈｏｒｒｏｒｓ.                Ａｌｌ               ｔｈｅ               Ｐｒｅｓｉｄｅｎｔ'ｓ               Ｍｅｎ               ｄｏｅｓ               ｎｏｔ               ｊｕｓｔ               ｓｔａｎｄ               ａｓ               ｏｎｅ               ｏｆ               ｔｈｅ               ｇｒｅａｔｅｓｔ               ｂｏｏｋ-ｔｏ-ｆｉｌｍ               ｔｒａｎｓｌａｔｉｏｎｓ               ｏｆ               ａｌｌ               ｔｉｍｅ,               ｉｔ               ａｌｓｏ               ｍｕｓｔ               ｂｅ               ｃｏｎｓｉｄｅｒｅｄ               ｏｎｅ               ｏｆ               ｔｈｅ               ｂｅｓｔ-ａｃｔｅｄ               ｆｉｌｍｓ               ｅｖｅｒ. Ｗｈｉｌｅ               ｔｈｅ               ｐｒｅｖｉｏｕｓｌｙ               ｍｅｎｔｉｏｎｅｄ               Ｈａｌ               Ｈｏｌｂｒｏｏｋ               ｉｓ               ａ               ｓｔａｎｄｏｕｔ               ａｓ               ｗｅｌｌ               ａｓ               Ｊａｓｏｎ               Ｒｏｂａｒｄｓ               ｉｎ               ｈｉｓ               Ｏｓｃａｒ-ｗｉｎｎｉｎｇ               ｐｅｒｆｏｒｍａｎｃｅ               ａｓ               Ｗａｓｈｉｎｇｔｏｎ               Ｐｏｓｔ               ｅｄｉｔｏｒ               Ｂｅｎ               Ｂｒａｄｌｅｅ,               ｆｒｏｍ               ｔｈｅ               ｓｍａｌｌｅｓｔ               ｒｏｌｅ               ｕｐ               ｔｏ               ｔｈｅ               ｔｗｏ               ｌｅａｄｓ               ｉｔ               ｉｓ               ｄｉｆｆｉｃｕｌｔ               ｔｏ               ｆｉｎｄ               ｆａｕｌｔ. Ｔｈｅ               ｅｄｉｔｏｒｉａｌ               ｓｔａｆｆ               ａｔ               ｔｈｅ               Ｗａｓｈｉｎｇｔｏｎ               Ｐｏｓｔ               ｗａｓ               ｃａｓｔ               ｗｉｔｈ               ａ               ｖｅｒｉｔａｂｌｅ               ｗｈｏ'ｓ               ｗｈｏ               ｏｆ               ｒｅｃｏｇｎｉｚａｂｌｅ               ｃｈａｒａｃｔｅｒ               ａｃｔｏｒｓ. Ｂｏｔｈ               Ｊａｃｋ               Ｗａｒｄｅｎ               ａｎｄ               Ｍａｒｔｉｎ               Ｂａｌｓａｍ               ｅｘｃｅｌ               ａｓ               ｔｈｅ               ｔｗｏ               ｍｅｍｂｅｒｓ               ｏｆ               ｔｈｅ               ｅｄｉｔｏｒｉａｌ               ｓｔａｆｆ               ｑｕｉｃｋｅｓｔ               ｔｏ               ｊｕｍｐ               ｔｏ               ｔｈｅ               ｄｅｆｅｎｓｅ               ｏｆ               Ｗｏｏｄｗａｒｄ               ａｎｄ               Ｂｅｒｎｓｔｅｉｎ,               ｅｖｅｎ               ｗｈｅｎ               ｔｈｅｙ               ｍａｋｅ               ｍｉｓｔａｋｅｓ. Ｉｎ               ｃｏｎｔｒａｓｔ               ｔｏ               ｔｈｅｓｅ               ｔｗｏ               ｄｏｗｎ-ｔｏ-ｅａｒｔｈ               ｆｉｇｕｒｅｓ,               Ｊｏｈｎ               ＭｃＭａｒｔｉｎ               ｐｕｔｓ               ａ               ｓｌｉｃｋ,               ｅｌｉｔｉｓｔ               ｓｈｅｅｎ               ｏｎ               ｈｉｓ               ｆｏｒｅｉｇｎ               ｎｅｗｓ               ｅｄｉｔｏｒ               ｔｈａｔ               ｂｅｔｒａｙｓ               ｔｈｅ               ｔｒａｄｉｔｉｏｎａｌ               Ｈｏｌｌｙｗｏｏｄ               ｓｔｅｒｅｏｔｙｐｅ               ｏｆ               ｔｈｅ               ｄｉｓｈｅｖｅｌｅｄ               ｎｅｗｓｐａｐｅｒｍａｎ. Ｏｕｔｓｉｄｅ               ｔｈｅ               ｃｏｎｆｉｎｅｓ               ｏｆ               ｔｈｅ               Ｐｏｓｔ               ｏｆｆｉｃｅｓ,               ｔｈｅ               ｃａｓｔｉｎｇ               ｉｓ               ａｌｓｏ               ｕｎｉｆｏｒｍｌｙ               ｅｘｃｅｌｌｅｎｔ               ｗｉｔｈ               ｔｈｒｅｅ               ｆｅｍａｌｅ               ｓｔａｎｄｏｕｔｓ               ｉｎ               ｕｎｄｅｒｗｒｉｔｔｅｎ,               ｙｅｔ               ｅｘｃｅｌｌｅｎｔｌｙ               ｐｅｒｆｏｒｍｅｄ               ｒｏｌｅｓ               ｆｒｏｍ               Ｐｏｌｌｙ               Ｈｏｌｌｉｄａｙ               ａｓ               ａ               ｓｅｃｒｅｔａｒｙ               ｗｉｔｈ               ａ               ｈｉｇｈ               ｌｅｖｅｌ               ｏｆ               ｌｏｙａｌｔｙ,               Ｐｅｎｎｙ               Ｐｅｙｓｅｒ               ａｓ               ａ               ｗｏｍａｎ               ｗｏｎｄｅｒｉｎｇ               ｉｆ               ｓｈｅ'ｓ               ｂｅｉｎｇ               ｍａｎｉｐｕｌａｔｅｄ               ｏｒ               ｒｏｍａｎｃｅｄ               ａｎｄ,               ｅｓｐｅｃｉａｌｌｙ,               Ｊａｎｅ               Ａｌｅｘａｎｄｅｒ               ａｓ               ａ               ｂｏｏｋｋｅｅｐｅｒ               ｗｈｏ               ｋｎｏｗｓ               ｍｏｒｅ               ｔｈａｎ               ｓｈｅ               ｗａｎｔｓ               ｔｏ               ｋｎｏｗ.                Ｏｆ               ｃｏｕｒｓｅ,               ｔｈｅ               ｆｉｌｍ               ｍｕｓｔ               ｓｔａｎｄ               ｏｒ               ｆａｌｌ               ｏｎ               ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅ               ｏｆ               ｉｔｓ               ｔｗｏ               ｌｅａｄｓ               ｗｈｏ,               ｅｉｔｈｅｒ               ｉｎｄｉｖｉｄｕａｌｌｙ               ｏｒ               ｔｏｇｅｔｈｅｒ,               ａｒｅ               ｉｎ               ａｌｍｏｓｔ               ｅｖｅｒｙ               ｓｃｅｎｅ. Ｔｈｅ               ｍｏｒｅ               ｓｈｏｗｙ               ｐａｒｔ               ｏｆ               Ｃａｒｌ               Ｂｅｒｎｓｔｅｉｎ               ｇｏｅｓ               ｔｏ               Ｄｕｓｔｉｎ               Ｈｏｆｆｍａｎ               ａｎｄ               ｈｉｓ               ｆｒｅｎｚｉｅｄ               ｅｎｅｒｇｙ               ｉｓ               ｉｎ               ｐｅｒｆｅｃｔ               ｃｏｕｎｔｅｒｐｏｉｎｔ               ｔｏ               ｔｈｅ               ｍｕｃｈ               ｍｏｒｅ               ｌａｉｄ               ｂａｃｋ               ｓｔｙｌｅ               ｏｆ               ｂｏｔｈ               Ｒｏｂｅｒｔ               Ｒｅｄｆｏｒｄ               ａｎｄ               ｔｈｅ               ｍａｎ               ｈｅ               ｐｌａｙｓ,               Ｂｏｂ               Ｗｏｏｄｗａｒｄ. Ｈｏｆｆｍａｎ               ｎｏｔ               ｏｎｌｙ               ａｃｔｓ               ｌｉｋｅ               Ｂｅｒｎｓｔｅｉｎ,               ｈｅ               ａｃｔｕａｌｌｙ               ｌｏｏｋｓ               ｌｉｋｅ               ｈｉｍ               ｗｉｔｈ               ｈｉｓ               ｍｏｐ               ｏｆ               ｌｏｎｇ               ｈａｉｒ. Ｉｎｔｅｒｅｓｔｉｎｇｌｙ,               Ｂｏｂ               Ｗｏｏｄｗａｒｄ               ｈａｓ               ｓｉｎｃｅ               ｇｏｎｅ               ｏｎ               ｔｏ               ｔｈｅ               ｆａｍｏｕｓ               ｃａｒｅｅｒ               ａｎｄ               ｉｓ               ａ               ｒｅｇｕｌａｒ               ｏｎ               ｔｈｅ               ｄｉｓｃｕｓｓｉｏｎ               ｓｈｏｗ               ｃｉｒｃｕｉｔ               ｓｏ               ｈｅ               ｈａｓ               ｂｅｃｏｍｅ               ａ               ｍｕｃｈ               ｍｏｒｅ               ｉｄｅｎｔｉｆｉａｂｌｅ               ｆｉｇｕｒｅ. Ａｓ               ｓｕｃｈ,               ｉｔ               ｈａｓ               ｂｅｃｏｍｅ               ａｐｐａｒｅｎｔ               ｔｈａｔ               Ｒｅｄｆｏｒｄ               ｄｉｄｎ'ｔ               ｔａｋｅ               ｕｐｏｎ               ｈｉｍｓｅｌｆ               ｔｈｅ               ｍｅｔｈｏｄ               ａｃｔｏｒ               ａｐｐｒｏａｃｈ               ｏｆ               ｔｒｙｉｎｇ               ｔｏ               ｔｕｒｎ               ｈｉｍｓｅｌｆ               ｉｎｔｏ               ｈｉｓ               ｃｈａｒａｃｔｅｒ;               ｈｅ               ｄｏｅｓｎ'ｔ               ｅｖｅｎ               ｍａｋｅ               ａｎ               ａｔｔｅｍｐｔ               ｔｏ               ｅｍｕｌａｔｅ               Ｗｏｏｄｗａｒｄ'ｓ               ｒａｔｈｅｒ               ｕｎｉｑｕｅ               ｓｐｅａｋｉｎｇ               ｃａｄｅｎｃｅ.

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How to Become Certified Bookkeeper Training to Become a Bookkeeper Requirements to Become a Bookkeeper How to Become an Accountant Learn to Be a Bookkeeper Becoming a Bookkeeper at Home U Need a Bookkeeper Being a Bookkeeper